Showing posts with label Published work. Show all posts
Showing posts with label Published work. Show all posts

Monday, January 23, 2012

Loss and Life


This year seems to have started with many friends around me suffering the loss of someone close. A constant reminder of the fragility of life and a sense of fear about how any of us will make it through to old age. Chances seem slim when you hear so many different stories.

Since my father died, I have always found the new year particularly poignant. Another year that he will never know. Another year that pushes him further away from our lives. My greatest fear when he died was that my children would have no memory or understanding of him. His death prompted me to start writing; for the children and for me.

Last week Lily told my mother she had no memory of him whatsoever. Even when she looked at the photos of him holding her as a baby, she couldn’t sense him at all. Yet, when he died and she was not quite two, she talked about him all the time. So much so that her chatter prompted me to write the story below.

A story that not only helped me cope with my loss but more importantly a story I need to read to her again.


(first published in the Sydney Morning Herald, February 22, 2007)
A Shift in Perception

Lily loved her Pa. He was always reading to her. Everytime Pa came to visit, Lily would rush to her bookshelf and find a collection of books to read together. Afterwards they would pull funny faces and make each other laugh. Pa always made Lily laugh and Lily always made Pa laugh. He was always smiling.

Then Pa started to visit a bit less. When he did, he looked tired and was sometimes too tired to read to Lily. Luckily Mama was always with him, so she would read to Lily while Pa watched, still smiling.

Soon Pa stopped visiting at all and Lily’s mummy would take her to visit him. ‘We’re going to have morning tea with Pa today’, she would say and Lily would rush to her bookshelf to find different books to show him. Mostly Pa would be in a chair by the bed, looking out the window. Sometimes he would be asleep. Each time he looked very sad but as soon as he saw Lily, his eyes would light-up and he would give her the widest grins. Lily would run up to him laughing, kiss his cheek and rummage through her bag for her books. Pa couldn’t read to her anymore, so Lily’s mummy would instead. Lily didn’t mind — whenever she looked at Pa while mummy was reading, he was watching, still smiling.

Sometimes he slept while Lily’s mummy read, but he always woke up to kiss Lily goodbye. As Lily walked out of his room, she would turn back to wave and Pa was always watching, still smiling.

One day, they didn’t go to visit Pa and everyone in Lily’s family — her mummy, daddy, mama, auntie and uncle — looked very sad. Lily wasn’t sure why as she could see Pa in the loungeroom with them all. Watching, still smiling.

Lily missed sitting on Pa’s lap and having him read to her. She would often look at her books by herself, only she was never really by herself as she would look up and always see Pa watching her, still smiling.

Sometimes she would try and read her books aloud to him but she couldn’t remember all the words, as hard as she tried. Pa never seemed to mind though as he was still watching, still smiling.

Lily’s mummy was often sad and told Lily it was because she missed Pa. Lily wanted to make her feel better so would go to her bookshelf and find her favourite books. As Lily’s mummy read to her, Lily saw she had tears in her eyes. Lily couldn’t understand why as Pa was there too. Watching, still smiling.

That night Lily had a dream about Pa. Lily was so excited. She could cuddle him and sit on his lap. Best of all, he could read to her again — all the books in her bookshelf! They laughed and laughed together. He wasn’t tired anymore and he was so happy. Lily kept looking up at him as he read. Of course he was watching, still smiling.

After he finished the last book, he folded Lily in his arms and told her he had to go. He asked her not to be sad because it was good. He was all better now. But Lily didn’t want him to go. She wanted to stay on his lap and have him read to her forever. He hugged her and said that every time she read a book to think of him; he would be there, between every word and page. He would point at the pictures and laugh with her at the funny bits, just like always. Then Pa told her it was time to go back to sleep. She nestled her head in the crook of his arm and closed her eyes while he watched, still smiling.

In the morning, Lily raced to her bookshelf to find her favourite book and sat down to start reading. Straight away she felt Pa next to her but when she looked up he wasn’t there. She kept reading though, always thinking about him. And Pa continued to watch, always smiling.

Monday, January 16, 2012

Back to work but still time for a holiday read



I’ve mentioned earlier my love of Penny Vincenzi novels so you can imagine my excitement when, just before Christmas, I noticed she had a new book out. My idea of escapist reading has always been a 700-odd page saga with a cast of more than 20 characters that explores the huge, messy themes of life. My perfect holiday read.

To be honest, it’s my perfect-any-time-of-year read as her stories are so readable. Page-turning. As she said in a recent Sydney Morning Herald interview, “I write to entertain my readers and hopefully make their lives just a little better, not to win prizes. What I like best is when I get notes from readers who tell me they've had a long spell in hospital and my book has helped them get through it; that makes me very happy.''

I laughed. In the last few years, I have only been able to convert a few friends to becoming Vincenzi fans during enforced rest time: late-stages of pregnancy, or looking for something ‘easy’ to read during all the hours spent breast-feeding and most recently, a friend who spent a spell in hospital.

While pregnant with Ned, I had the opportunity to interview Penny for Good Reading magazine and leapt at it. Despite her success – 16 bestsellers and seven million books sold to date – she is extremely modest, spending much of our interview time asking me questions about my pregnancy and telling me stories about her own four children and grandchildren.

But, about her career and her writing, here is what she had to say...

First published in Good Reading magazine October 2005

Penny For Her Thoughts

Watching Penny Vincenzi pour our tea from across the table, I am struck by how unaffected she is. Despite having sold over five million books worldwide, she is more interested in my pregnancy and chatting about her husband and four daughters, than promoting her latest novel, Sheer Abandon. Settling back into our armchairs, the pregnancy conversation segues towards the idea for her latest novel.

Sheer Abandon follows the lives of three women who meet aged 18 on their way to Thailand. Nine months later, one of them returns to London, giving birth at Heathrow Airport and abandoning the baby. The book moves forward 16 years, when the women are reunited and the now-teenager begins the search for her natural mother.

“The original idea came from a story in the paper. I thought it was an irresistible idea for a book but there needed to be more. Then I thought of the three girls, not knowing who the mother was and the story slowly unravelling. I also realised that the emotional fallout of everyone finding out years later would be as hard to cope with as the discovery.”

As with all Penny’s books, she doesn’t know how her stories will end: “I start with the idea, marshal a few of my characters…it’s a bit like going to a party and thinking ‘He looks interesting’, ‘she looks smart’ and I gradually get to know them. Then I wind them up, off they go and I follow them. They very much shape the plot as they take on a will of their own.”

Indeed, she is often as shocked as the reader with plot twists: “I remember with one book, after writing all day I went for an evening walk with my husband. I was telling him about the terrible day I’d had with one of the characters and then I realised, oh my God, she’s died! And it really was a shock. The minute I said it, I knew it had to happen for the story to work.”

Any fan of Vincenzi’s work will know that all her books are at least 500 pages — and you still don’t want them to end — packed with extraordinary detail of the characters, their careers, and the era and society they live in. Unsurprisingly, research is one of the things Penny loves most about writing:

“I used to be a journalist and it was such a lovely, chatty job; whereas fiction is incredibly isolating. Doing research is like being a journalist again.” Politics plays a major role in Sheer Abandon; a world she knew little about: “I spent a lot of time at the House of Commons talking to MPs and political journalists, going to their restaurants and bars…soaking up the atmosphere. You have to get the tone of voice right, so I spent a lot of time listening and immersing myself in their world.”

With Penny’s natural flair for creating such readable escapist fiction, it is a shock to discover she never intended to write a book, or that even after writing the first one she would become a novelist:

“I was approached to write a novel and I had an idea so thought I’d do it and then go back to being a journalist. It was a complete surprise to me how much I loved it and how it has turned into something really wonderful. I’m amazed that I have all these plots and sub-plots in my head!”

After writing a book nearly every year, and Sheer Abandon being her 12th novel, it does seem the ideas have never stopped flowing: “I’m very workman like about what I do. While I have days when I can’t write, I just sit there and sweat it out. I think it’s a bit of a luxury to get writer’s block. I’ve always got a deadline, so have to keep going.”

Up at 6am every morning, Penny walks her dog and during this time does her plotting. She is at her desk and writing by 9am. “I work office hours really but as a deadline gets nearer, I’ll do six days a week, then sometimes seven.”

She is also very aware of balancing her life: “I have a family and it’s not fair to them so I do stop work in the evenings and cook my husband supper. I’m a good 50s housewife: I cook, shop and keep house for him because that’s how I was brought up and I can’t change it! My children and grandchildren take up a lot of time too…they’re the only ones I will stop work for.”

As we sit with our second cup of tea, analysing her characters as if they were real friends, it is evident that Penny is a long way from running out of fresh ideas. “I love finding these people, seeing their foibles and strengths. It’s my favourite part and it’s a hideous blank when you finish.”

As it is for her readers.

Wednesday, July 20, 2011

When Home is... Fiction

I’ve been busy writing book reviews for Good Reading magazine lately. It is always fun to dwell in the world of fiction for ‘work’ when the books are ones I would choose to read for pleasure anyway.

So was the case with the following two books. Both, appropriately, are about what ‘home’ means to the characters. Very different – one literary, one mass-market –both explore the ideas of what we need in life to make us feel safe, nurtured and at home.

And what more do you need to feel at home on this windy, wet and cold night in Sydney than a good book, glass of wine and pasta sauce simmering away on the stove-top?



Too Close to Home
By Georgia Blain
Vintage
RRP: $32.95

Georgia Blain has crafted a page-turning story of a generation and a moment of time in Australia’s history that will resonate deeply with anyone in their 30s or 40s.

Freya and Matt are living with the ‘Real People’ in an inner western suburb of Sydney, while their friends – writers, editors, artists and actresses – have stayed in the East. Set during the period that saw the Labor Party fall out of favour, the ousting of Kevin Rudd and culminating with the election that marginally kept Labor in power, Blain navigates the sometimes messy and complicated lives of this old circle of friends.

When Matt discovers he may have fathered a child 17 years ago, his and Freya’s world is turned upside down. Both are tested and forced to look at themselves and the choices they have made in a new light. It’s this tension between them and how that affects their relationships with their friends that makes this story so absorbing.

It’s easy to relate to the characters and their moral and ethical dilemmas of living in this modern world. Blain has created an excellent work of fiction and years from now people will read this novel to understand life in Sydney during this period.



Sing You Home
By Jodi Picoult
Allen & Unwin
RRP: $32.99 (Paperback)

Jodi Picoult’s greatest strength has always been her exploration of moral dilemmas and she excels with the moral minefield she presents in her latest novel, Sing You Home.

In this absorbing work, readers will be faced with the complex emotional issues of a couple facing infertility, IVF, stillbirth, divorce, alcoholism, adultery, homosexuality and the religious opposition to it. Yet, perhaps the most fraught dilemma is that of frozen embryos: after a divorce who has the right to choose to use them, give them away or have them destroyed? Who gets to decide what constitutes a family unit today? Church or State?

Picoult manages to present a balanced view; sympathetic to both sides of the debates at all times and ultimately will leave readers feeling satisfied with her resolution. The courtroom drama that always unfolds with her novels will not disappoint. She continues to weave tight, suspenseful plots and her main characters are well-developed.

Readers will empathise with the plights of Zoe and Max, the main characters, regardless of their personal views of such contentious issues.

Yet again Picoult has created a world that will keep people turning pages long into the night.

*Reviews originally published in Good Reading magazine

Tuesday, March 22, 2011

When Home is... a Toddler without Day Sleeps



It’s been a week between posts. Sadly the quietness hasn’t been due to an inundation of freelance work, a book offer or a busy social life. Instead it’s due to very little time alone and a very moody toddler who thinks he doesn’t need to sleep during the day anymore.

My predictable time off in the middle of each school day is no more and it has reminded me of how I felt a few years ago when I was going through this ‘transition’ (for us both) with Ned. History is repeating itself in our house and below is a piece I wrote for Sydney’s Child a couple of years ago which reminds me that this is just a phase... and home will not stay this way forever...

No More Naps (Published in Sydney’s Child magazine, February 2009)

I nervously look out my French doors towards the garden as I pour water into the coffee plunger and my friend chats obliviously. It’s four o’clock on a Friday afternoon and my two-almost-three-year-old son is running around in circles laughing maniacally. This is not a good sign. As my friend’s daughter, of a similar age, bends down to pick up his toy lawnmower, my son lunges, pushing her roughly and shouts indignantly — as only a two-year-old can — ‘No, that’s MINE!’

After the fracas is resolved, I turn to my friend apologetically, ‘He didn’t have an afternoon sleep.’ She nods, smiling empathetically.

*******************

The day begins well; with his older sister at preschool we enjoy a bit of shopping followed by morning tea at a cafĂ©, an elaborate fantasy game with fire engines and diggers, lunch, and three picture books before bed. I come downstairs looking forward to a couple of hours of quiet, or perhaps more honestly, Oprah and a cup of tea. But then I hear a little voice singing. It’s the theme song of his favourite cartoon about a fire engine.

‘Stay calm’, I say to myself, ‘It won’t be long before he drops off. He looked tired enough.’ I turn up Oprah.

Half-an-hour later he shouts out to me.

‘Hello mummy,’ he says with his angelic smile as I open the door.

‘It’s time for a sleep. You haven’t had a sleep yet, have you?’ I say sternly.

‘No, I’ve had a wake.’ He answers honestly.

Another half-hour goes by. Oprah and my tea are finished, but still my son sings. I put the washing machine on to stop myself listening and becoming more frustrated.

I go back upstairs. He’s sitting in bed looking at books. How can I be angry about that? Yet, I also know that without this sleep the afternoon will descend into hell.

I attempt for a third time to make him nap.

I chat to a friend on the phone, out in the garden, where I can pretend he is sleeping soundly. Then he appears, clutching Babar the elephant, wide awake and smiling. It’s over. My generally calm, placid little boy who has now been awake since 6.30am will have to survive on no sleep until this evening. To do so, he will become a wilful, manic, teary and unpredictable mess.

*********************

I used to think an overtired newborn was trying, but that was before experiencing an overtired toddler. When my daughter began to threaten to drop her afternoon sleep around the same age I remember commenting to a friend who was a counsellor that I didn’t know how I would cope without having a couple of hours off each day. She laughed and said that she had counselled many mothers who went through a depression once their toddlers stopped day-sleeps. I attempted to smile despite the sense of dread.

But, of course, as with all new chapters of parenting, my daughter and I found a way to settle into this new arrangement: some quiet time reading in her bedroom after lunch each day allowing me the illusion of time to myself. Before long she was at preschool a couple of days a week and I became used to a three hour break while my baby son slept.

Oh, how quickly they grow though. And I had forgotten this awful transition time when they still need a sleep to get through the afternoon despite resisting it. As I pour my friend her coffee and listen to my daughter call out from upstairs that her brother is ‘not playing gently’ I am reminded why I stopped socialising in the afternoons.

There’s a crash upstairs, a wail and a stern ‘you naughty boy’ from my daughter. Her tea-set has been thrown across the room. I bring him downstairs and tell him that he will have to sit with my friend and me as he can’t play gently. He eats afternoon tea and rubs his eyes. He spills his water and rubs his eyes. He bangs his knee getting down from the table and howls. It’s only 4.30pm.

**********************

At 5pm my friend and her daughters leave. My son is now covered in mud and mosquito bites from playing in the garden, but at least he hasn’t annoyed the other children for the last half hour. I decide a bath before dinner is necessary tonight.

He seems calmer now and more loveable; smelling of baby shampoo and clean pyjamas. There were tears about his dinosaur pyjamas being in the wash but he has finally grown attached to the monkey ones he is wearing. But the contentment doesn’t last long. He spills dinner down his front and is devastated. Tears because he has made a mess, tears because he wants to still wear these monkey pyjamas. Finally my daughter and I convince him his robot pyjamas are much better and peace is restored.

By now my husband is home. My son climbs onto his father’s lap and quickly asks for a story and bed. He sucks two fingers and hugs the toy elephant he sleeps with every night. My husband carries him upstairs. His red-rimmed eyes stare at me as he waves good night. He has given in. It is only 6pm.

I reflect, while pouring myself a glass of wine, that there is actually a positive side to the end of day-sleeps.

Thursday, March 3, 2011

When Home is... an Old House



First, apologies for making the article about our house history so hard to read! The pages are now posted here as J-Pegs.





But the subject of today's post is about someone else's house history; of something left behind. This is the story about an Edwardian terrace, on Sydney’s Lower North Shore, facing out to the harbour. It’s about a photo that was found behind an old fireplace in one of the bedrooms. Only the corner of the photo was sticking out, slid up between the cast iron fire surround and the mantle. The owner noticed it while cleaning one day and thinking it was a piece of cardboard or rubbish, she pulled it out.

She found herself holding a black and white portrait of two women, dressed formally, in a garden. The women looked similar – perhaps sisters – and were standing close together, nearly touching. They were both wearing long, plaid skirts and had 1920s hairstyles. Feeling sure those sisters had once lived in the house, the owner also felt sure that the photo belonged there, hidden away back in its hiding place.

Not long after, the family noticed by the landing, at the top of the staircase, an outline on the wall of more stairs going up to the attic. An attic that no longer existed, had never been lined and an impression of a staircase leading to nowhere.

The family dog refused to walk on the landing, next to this outline of stairs and opposite the bedroom door where the picture had been discovered. He would shake as he walked passed and if his ball ended up in that space he would cry and not move to collect it.

Years passed and the woman never mentioned her find to her family. They moved and rented the house out for a year before it sold. At the end of the lease, the tenants were glad to leave complaining of being woken by footsteps on the landing every morning at 2.20am. Thinking it was their children, they would get up to investigate but there was never anyone to be seen.

Was it one of the sisters? What was their story? Did they have a falling out? Was there a betrayal? The possibilities are endless, aren’t they?

After hearing about the footsteps, the owner went back to the house for a final look before the sale went through. The photo was still there, the corner still sticking out, and she was left with the very strong feeling that this was the place the photo belonged and should always stay.

I wonder if it’s still there today?

Article originally appeared in the (sydney)magazine Thursday, February 24 2011 and is republished with permission from the (sydney)magazine

Tuesday, March 1, 2011

When Home is... the (sydney) magazine



Do you know any stories about the people who lived in your house before you did?

I always felt that researching the history of the people who lived in our house would be more interesting than researching my family tree. It's hard not to feel an affinity with people who also chose to make your house their home. You instantly have something in common.

Here's my result, published in the (sydney) magazine, inside the Sydney Morning Herald on Thursday, February 24th 2011.

Click here.

Wednesday, June 23, 2010

When Home is... Food Memories


I have been thinking a lot about food recently and the comfort a home-cooked meal brings. Maybe it’s because we’re in the middle of Winter when comfort meals (like the Shepherds’ Pie I’m in the middle of preparing for dinner tonight) always conjure strong memories of feeling safe, warm and secure.

Maybe it’s also because I’m writing up my interview with Natalie and Simon Thomas, owners of The Sydney Picnic Company, which will be all about how food makes a ‘home’.

Whatever the reasons, I thought now would be a good time to start thinking about the relationship between food and home. Last year I wrote an article that was published on the parenting website Sunny Days. It’s all about my food memories, recipes written on bits of paper, backs of envelopes and shoved inside a recipe journal...

Scraps of the Past
(first published on Sunny Days, 1st July 2009)

'It’s the making-food-book!' says my son excitedly as I search through the multifarious scraps of paper that live inside this book to find our banana bread recipe one recent Sunday afternoon.

I bought this blank-paged journal soon after I left home when I realised I didn't know how to cook spaghetti bolognaise, tuna mornay or whatever other childhood comfort dishes a 21-year-old thinks she needs to know. I had planned to write all the recipes in it, just as my mother had done and continued to do throughout my life. But after neatly writing a few, the book remains blank and unopened. The spine threatens to break though; it has begun to tear thanks to all the loose paper recipes I 'one day' meant to transcribe but instead are just shoved inside.

My husband walks into the kitchen as I begin to sift. 'I don't know how you can find anything in there.' He adds as he passes, 'We don't even use half those recipes.'

And, as I stare at the mountain of paper in front of me I realise he's right. There are recipes I cut out of magazines five years ago and have never attempted. But now is not the time for a cull. My son has already pulled a chair over to the kitchen bench and is on his way to collect eggs from the fridge. Not the safest job for a three-year-old. It hadn't taken long to find the banana bread recipe anyway. I know the scrap of paper it's on -- my father's old company's letterhead -- and it’s heavily stained with coffee cup rings and traces of, perhaps, egg? As I grab the beaters I wonder why I never bothered transcribing this. Five ingredients and three steps is hardly many words, yet it's been sitting on that piece of paper, inside that book for years.

Once the banana bread is in the oven I decide to declutter. One more recipe could be the metaphorical straw. So it begins: the Coconut and Raspberry Bread torn from a magazine, dated a few months after my daughter's birth nearly six years ago. The same recipe I used for the morning tea after her Naming Ceremony. Instantly I'm back in our first marital home, the sun streaming through the window as I baked. I don't want to throw that memory away.

Moving on, there's a lemon syrup cake recipe which I remember taking on a weekend trip to the country when I was eight months pregnant. We weren't near any shops and had to bring all the food. Next to the list of ingredients are little ticks made by my husband's hand. Obviously it was his job to pack the food. We ate that cake drinking cups of tea while watching the cows and ducks as we contemplated life with a baby. Another memory, another scrap of paper kept.

An old printed email appears from a time before children; a risoni recipe a friend had sent me -- at 10am -- that apparently I wanted to cook that night. Obviously it was a slow work day. It's strange to see the sign-off with my position and company details: another life. Both of us are now home with children and it's not long before I find a handwritten note from that same friend for a kids’ version of chicken casserole. No longer does she end her recipes with 'serve with a full-bodied red'; now it's 'add some chilli and it becomes an adult dinner'.

Some shiny paper unfolds and I realise it's fax paper -- a faxed recipe! -- with writing so faded some letters no longer exist. I notice the measurements are in pounds and ounces. It's the apple crumble recipe from my oldest school friend. Her British mother used to make it for us frequently when we were kids and when this friend's grandmother died she was given the Wedgewood dish her grandmother used to bake this crumble. I've always known it by heart and think of her family whenever I make it. I can't bear to throw out the memory of using our parents' fax machines to communicate when we were 14. Also, how many recipes end with 'Put in a bowl and eat with spoon’?

There’s the 'San Choy Bau' recipe I secretly tore from an office magazine, now crinkled at the edges. I fondly remember this ‘phase’: my husband and I were living together and this recipe became the 'dinner party' one. What could be better than friends, a bowl piled high with iceberg lettuce leaves and a few bottles of chardy? Oh, the mess. The lettuce breaking, the sauce running down chins... the carpet... but who cares when you're 23? Actually, if we cooked this now for our three children it would be a similar experience. Best kept; those were good times.

A green note sticks out. It's the mussels in white wine recipe from an aunt. She and my uncle invited us over for dinner to celebrate our engagement. Afterwards, she wrote the recipe while washing up. It's still water-stained from a stray soap sud. A few years later they divorced and my aunt cut off contact with his family, including me. I was very fond of this aunt and now, with the benefit of age, I can understand her inability to stay involved with his extended family. I don't want to erase the last evidence of her in my life though. Another scrap to keep.

A recipe that has made it inside the book is 'Tim's flourless chocolate cake', written by Tim himself. I remember the night we ate this. He was going out with one of my closest friends and it was perhaps only the second time we met. Each couple brought a course and theirs was obviously dessert. They were late. 'It's my fault,' he began, 'I got stuck at work and got home to discover I was out of flour.' I looked at the flan tin he was holding with the very flat cake. 'But it's ok, it doesn’t need it.' And very quickly, after a few bottles of red, it became Tim's signature dish. He wrote the recipe down late that night and I wondered if years later I would even know this Tim of 'Tim's flourless chocolate cake' fame. As the oven timer goes off and I pull the banana bread out, I question how I didn’t realise he would go on to marry my friend and later become godfather of our youngest son.

Now, looking at the pile mounting in front of me I decide to stuff all these pieces of our past back inside the heaving covers. These scraps are the keepers' of our family's story; I realise this book is one of the most important objects in our house. My husband's trash is my treasure it would seem.

Later, my mother tells me about an old lady who didn't survive the recent catastrophic bushfires in Victoria. She was found in her car and next to her was a complete china dinnerset. The image haunts me. Imagine the tales those plates, soup bowls, cups and saucers would have to tell. What precious memories did they trigger which made the thought of losing that china unbearable for her?

I don't want to throw away my memory triggers. One day when the children are older I will share these stories about how those recipes have shaped our family and later it will be up to them to decide if those scraps of paper are ready to be binned.

Wednesday, June 9, 2010

Renovation flashbacks



Last week I wrote about how we recently lodged plans for a major renovation with the Council. I also wrote that I was crazy to want to renovate again given I was only just over the kitchen renovation we undertook three years ago.

Well, after the kitchen experience I wrote a piece that was published in the Sydney Morning Herald (posted below).Reading it a few years later brings it all back to me. What am I doing?!

When life goes to hell in a misplaced colander, Essential (SMH) 19 June 2008
‘The kitchen is where the heart is, after all’ a wise friend emailed me today and as soon as I read her words it all made sense. My heart has gone out in the skip, along with the cream chipboard cupboards, ugly blue/grey laminate bench top, the dishwasher that hasn’t worked all year and the ancient, tiny upright oven with the door that wouldn’t close properly, a broken light and deeply stained cook top.

In its place have arrived the brand new glossy white, no handle cabinets, the large stainless steel upright cooker and the integrated dishwasher. But my heart is yet to return for it’s still not a kitchen. A kitchen carcass does not a kitchen make, it seems. For now, we remain in limbo while we wait for the stone bench top to be fitted. Only then can the plumber and electrician return to fit all our appliances before the tiler and painter make the finishing touches.

I had no idea I would feel so glum during our first foray into renovating our first family home. After all, I was a renovation veteran thanks to a mother who insisted on renovating every home we lived in (there were seven) including one major undertaking of adding a bedroom and bathroom during my HSC year. This is a woman who, aged almost 60, is currently rebuilding a warehouse apartment from scratch.

I had expected my husband would be more unsettled by the chaos than I was. After all, he had never known another bedroom, let alone house, until he moved out of home at the age of 21. It appears I was wrong. He saunters home happily on the weekend having collected ingredients to grace the only cooking surface available to us for the week – the barbecue. He is still cheerful as he rolls up his sleeves to wash dishes in the laundry tub, leaving them to dry, neatly arranged on top of the washing machine. In fact, the only time he has been snappy during this whole process was when he could not find the corkscrew and I refused to help search through the dozen or so boxes that hold the contents of our old kitchen and are piled precariously in the dining room.

Even the children appear unfazed about having the heart ripped out of their home. My two-year-old has not noticed that his change table now houses the toaster and kettle, while my four-year-old has found the empty kitchen drawers the most useful spot for hiding her jewellery from her brother. The extra floor space means they have a new play area for their cars, trains and doll’s pram. They do not see the bare walls, rendered but not yet sanded or painted, or the white dust that seems to magically reappear on the floor every time I sweep or mop.

And rationally, at least, I know I should not notice either. I should just be excited about the future, about how much more we will be able to enjoy our home once the work is completed. We have saved up long enough to do this. After all, what are two or three (or four, five or six) weeks of discomfort when the end result will be a brand new kitchen we will certainly enjoy for at least the next five years?

And, it’s not like we haven’t renovated before. My husband and I remodelled a bathroom in the first apartment we owned soon after getting married. I have no memories of the stress, only of the excitement of choosing tiles, sinks and towel rails. It seemed such an adventure then; such a grown up task to be undertaking. But that was before children, before I was working from home — in a tiny space shared with the laundry and make-shift kitchen — before I had to prepare five small meals a day.

Perhaps I am only just beginning to learn that I really do like order, that I feel a sense of calm when everything and everyone is in its rightful place, that my heart does actually lie in my (to be) cosy kitchen with my family all around me and not a builder in sight.

A close friend, who has already weathered a kitchen renovation and more this year, tells me I will be fine; that they did well with the barbecue, camp stove and takeaway. The alarm bells should have rung loudly. I have never been one for camping.


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